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The only food we see is a dish of scrambled eggs – which gets refused – and a huge bowl of strawberry ice-cream shared on the sofa by George Clooney and his daughters, in the film’s final scene.
And it’s no accident: “Food is mainly connected with family and friendship,” Payne explains, and in this film there are lots of descendants but a faded sense of family affection.
Miles is something of a sad sack, a high school English teacher who is a failed writer at heart.
All Jack cares about is drinking and carousing, something he accomplishes when he meets the attractive Stephanie at one of the vineyards.
The movie was – 2012 Oscar winner for Best Adapted Screenplay – may be a family saga, but there’s not even a single, on-screen supper.
No table set for three, no glass of wine or cup of tea with which to deal with difficult moments.
Filmmaker Davis Guggenheim follows Al Gore on the lecture circuit, as the former presidential candidate campaigns to raise public awareness of the dangers of global warming and calls for immediate action to curb its destructive effects on the environment.
A week before his friend Jack is to be married, best man Miles and the prospective groom head off to wine country for a week of fun, relaxation and - of course - wine drinking.
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And yet “fun” is the quality Payne himself says most characterizes the atmosphere on the sets of his movies. Will Forte (Payne knows better than anyone that the statement he’s about to make is a cliché, but he makes it anyway.